Vulkaneifel performance
experimental film
Akiko Ahrendt, violin

Thinking ahead to the tradition of classical silent film, the music is less an underscore or acoustic illustration of the images than an independent interpretation of the film's form and aesthetics. Common parameters such as temporality, atmosphere and image composition or musical form influence each other and interact. The musician plays analogously on her violin, partly prepared with (natural) materials from the Eifel, to which both artists are geographically connected.

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